|
|
||
|
|
|||
|
Why Chose a Professional CCTV Company
As with everything, CCTV can be as simple or as complex as the occasion demands. The significant difference between CCTV and intruder or access control systems is that different degrees of skill, experience and training are required from designers and installation engineers. Another factor is that fault finding requires particular experience on the part of service engineers. This is not to denigrate the essential skills of alarm engineers, but it is a fact that their training is not directly transferable to the needs of CCTV installation or servicing in anything other than basic systems.
As with all debates
there are two points of view, in this case the expectations of the customer and the capability of the installing
company. Either can be very high or very low depending on their previous experience. Let two examples illustrate this from
the author's direct experience. Neither problem needed any great knowledge of CCTV theory to resolve. Mainly the application
of common sense and interpretation of manufacturer's specifications.
The
second example was when I was asked to look at a system that had been designed by a salesperson, apparently based on a cursory
knowledge obtained from a distributor's catalogue. The manufacturers of the installed equipment produce most impressive brochures
and sets of data sheets, and the products are well regarded in the industry.
There was not much of the system
that functioned at all. The video motion detector was sometimes set off by passing traffic, sometimes not; sometimes by vehicles
entering the yard, sometimes not. The front camera was fitted with a wide angle lens to view the whole yard and had absolutely
no chance of reading number plates. In addition, it was mounted about two metres up a wall, facing east over open country.
The quad screen splitter was replaced with a
low cost multiplexer so that all cameras were continuously recorded when alarmed. This enabled any camera to be viewed individually
in full screen, or all four at once for general analysis.
· There is a limited depth of field in focus in low light conditions when the lens iris is fully open; it is also a function of the focal length and the object distance. The depth of field decreases when the 'f' number is smaller (the aperture is larger); the focal length is longer; the object distance is shorter. There
is a limited depth of field in focus in low light conditions when the lens iris is fully open; it is also a function of the
focal length and the object distance. The depth of field decreases when the 'f' number is smaller (the aperture is larger);
the focal length is longer; the object distance is shorter. · There is a shift in the area of view in focus between daylight and illumination by infra red light. It may be necessary to accept a compromise between day and night focus with a fixed focal length lens, or to decide which is the most important. There is a shift in the area of view in focus between
daylight and illumination by infra red light. It may be necessary to accept a compromise between day and night focus with
a fixed focal length lens, or to decide which is the most important. · The image should remain in focus throughout the range of a zoom lens. If the focus has to be adjusted every time the zoom is altered it indicates that the back (mechanical) focus adjustment of the camera is incorrect. The image should remain in focus throughout the range
of a zoom lens. If the focus has to be adjusted every time the zoom is altered it indicates that the back (mechanical) focus
adjustment of the camera is incorrect. · The limiting resolution of a system may be a video tape recorder. Irrespective of the quality of the cameras, this is generally from 240-400 TV lines for monochrome systems and 240-330 lines for colour. The
limiting resolution of a system may be a video tape recorder. Irrespective of the quality of the cameras, this is generally
from 240-400 TV lines for monochrome systems and 240-330 lines for colour.
· A type of video recorder known as S-VHS (super VHS) is available and often quoted as producing 500 lines resolution (for colour only). This is not always practical for use with industrial video systems because the input to the recorder must be made up of separate luminance and chrominance (Y/C) signals. Apart from the need to run two separate coaxial cables to every camera there are few switchers or multiplexers on the market to accommodate this type of input. Having said this there are new products appearing on the market that overcome this problem. As always, check carefully with the manufacturer before using them based on the advertising. A
type of video recorder known as S-VHS (super VHS) is available and often quoted as producing 500 lines resolution (for colour
only). This is not always practical for use with industrial video systems because the input to the recorder must be made up
of separate luminance and chrominance (Y/C) signals. Apart from the need to run two separate coaxial cables to every camera
there are few switchers or multiplexers on the market to accommodate this type of input. Having said this there are new products
appearing on the market that overcome this problem. As always, check carefully with the manufacturer before using them based
on the advertising. · Manufacturers' specifications for cameras can be very confusing to the uninformed. Many installers simply look at the factor called' sensitivity' expressed in Lux. It is necessary, however, to look further; is this at fl.2, fl.4? Is it at 79%, 100% reflectivity? Is it with AGC on or off? Is it with a 'gamma' of 1 or.45? Is it' usable' video or full video? Unless all these factors are taken into account, a true comparison of specifications cannot be made. There can be a three times difference between cameras of similar actual specification. Are you really getting what you are paying for? If in doubt seek professional advice. Manufacturers' specifications for cameras can
be very confusing to the uninformed. Many installers simply look at the factor called' sensitivity' expressed in Lux. It is
necessary, however, to look further; is this at fl.2, fl.4? Is it at 79%, 100% reflectivity? Is it with AGC on or off? Is
it with a 'gamma' of 1 or.45? Is it' usable' video or full video? Unless all these factors are taken into account, a true
comparison of specifications cannot be made. There can be a three times difference between cameras of similar actual specification.
Are you really getting what you are paying for? If in doubt seek professional advice. In conclusion, therefore, these are just a few of the factors that must be taken into account when designing a CCTV system; it is not like a 'point and shoot' camcorder. It is important that the customer is made aware of the limitations as well as the advantages of the system being proposed. In particular, the view as seen on the monitor should be defined accurately or demonstrated. There is no lens in the world that can emulate the human eye, yet we all live every day with the most incredible and adaptable lens and tend to imagine that a modern camera can reproduce similar views. We see in three dimensions with continuously adjusting focus but a camera sees only a flat plane with restricted depth of field. The question of what the customer thought would be seen compared with the actual view obtained probably causes more debate and ill feeling than any other aspect of CCTV The final selection of lens is frequently a compromise from the ideal and should be discussed with this in mind. In this way the expectations of the customer will always be achieved and a satisfied customer pays the bill.
|
|
||
|
|
||
|
|